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1.
Todo profeta es un parásito que pica en la sangría de la ignorancia servil, generando febriles ilusiones sostenidas en el relave más denso del pensamiento, en las más mórbidas visiones de la podredumbre creyente. Interpretación perniciosa del dominio de la desilusión humana en un tambaleante constructo destinado a encadenar sus condiciones espirituales. Monolitos horizontales a ras de piso pudriéndose. Que mi execrar no os engañe, que mis razones se enfrentan sin miedo al miserable hilo conductor de vuestras creencias. La opresión concebida en culto, salmo, mantra, oración, es el veneno sobre la conciencia de los siglos. El yeso malgastado en figuras imaginarias será arrojado con desprecio al basurero de la historia. ***** Anathema. Every prophet is a parasite that stings in the bleeding of servile ignorance, generating feverish illusions sustained in the densest tailings of thought, in the most morbid visions of believing rottenness. Pernicious interpretation of the domain of human disappointment in a wobbly construct destined to chain its spiritual conditions. Horizontal monoliths at ground level rotting. May my execration not deceive you, my reasons fearlessly face the miserable guiding thread of your beliefs. Oppression conceived in worship, psalm, mantra, prayer, is the poison on the conscience of the centuries. The plaster wasted on imaginary figures will be contemptuously thrown into the dustbin of history.
2.
La miseria de la ciencia se proyecta en el panóptico de lo consciente. Habitantes del infierno, enfermos de normalidad; culpables, victimarios. La hegemonía de la personalidad es el triunfo absoluto de la razón burguesa empecinada en crear medidas para el comportamiento del proyecto humano, como normas que dominan incluso la flagelación de los sentidos. Determinismo que define la abismal imagen de un castigo aniquilante: la destructividad del individuo como terapia. Enfermos de normalidad, culpables, victimarios. La ascensión de la conducta vigilada y castigada. La falsa medida del Ser reducido a la nada. Si dios no existe, si la locura es un pecado, inocentes sólo son las piedras. Psiquiatrizados del mundo uníos, acudid. ***** Innocent. The misery of science is projected into the panopticon of the conscious. Inhabitants of hell, sick of normality; guilty, victimizers The hegemony of the personality is the absolute triumph of bourgeois reason stubborn in creating measures for the behavior of the human project, as norms that dominate even the flagellation of the senses. Determinism that defines the abysmal image of an annihilating punishment: the destructiveness of the individual as therapy. Sick of normality, guilty, victimizers. The rise of monitored and punished behavior. The false measure of Being reduced to nothing. If god does not exist, if madness is a sin, only stones are innocent. Psychiatrists of the world unite, go.
3.
El fetichismo es el secreto fundamental de la modernidad, lo que no se dice ni se debe revelar. La victoria del parecer y del ser donde la imagen substituye a la realidad. El proceso de abstracción devorando a la sociedad entera, assinándola. Cuanto más la mercancía se apodera del control de todo, tanto más va minando los cimientos de su propia estructura, incontrolable, inmanente, repitiéndose a sí misma. Nuestro tiempo es un espacio functional secundario al servicio del consumo permanente. Un modo absurdo de producción y de vida; contradicción subjetiva que se presenta como lo único existente: convertir el sacrificio del tiempo en una normal medida de existencia. Mercancía, dinero, capita, salario, fetiches del derecho y des Estado. Cualquier forma de pensamiento sometido a la parámetros del valor y la mercancía ha sido obviamente dogmatizado por el dinero. Nuestro pragmatismo ha de escapar entonces de someter la sensibilidad, la socieded y la ciencia a un valor asignado por un máquina que se regula a sí misma. Debe escapar y rebelarse contra el valor de la vida, del alimento, de la subsistencia. ***** Qualities of the absurd. Fetishism is the fundamental secret of modernity, what is not said or should be relvealed. The victory of seeming and being where the image replaces reality. The abstration process devouring the entire society, killing it. The more the commodity takes control of everything, the more it undermines the foundations of its own structure, uncontrollabel, inmanent, repeating itself. Our time is a secondary functional space at the service of permanent consumption. An absurd way of production and life; subjective contradiction that is presented as the only thing that exists: turning the sacrifice of time into a normal measure of existence. Merchandise, money, capital, salary, fetishes of law and the State. Any form of thought subjected to the parameters of value and merchandise has obviously been dogmatized by money. Our pragmatism must then escape submitting sensitivity, society and science to a value assigned by a machine that regulates itself. He must escape and rebel against the value of life, of food, of subsistence.
4.
Ibaia zeharkatuz Baso ilunean barrena Dena suntzituz Bidea eginez Argi izpiren bat topatzean Jakingo duzu nola babestu Zeure burua denen begietan. ***** Crossing The River. Crossing the river Inside the dark forest Destroying everything Making path When finding a ray of light You will know how to take refuge Your head in everyone's eyes.
5.
Itxuraz izaki Aurpegia ezkutatuz Ezin hitz egin, ezin begiratu Zirkutik ihesi, pertsona izanik. ***** For Appearance Only. A being for appearance Hiding the face Unable to speak, unable to look, Escaping from the circus, being a person.
6.
Egiako aldapa igotzean Zenbat jende beirari lotuta Zenbat aho kea dariotela Zenbat haur plazan jolasean Zenbat haur... Bizitzaren jolasa prestatzen Irabazteko dutena... ***** Going Up To The Hill. When going up to the hill of Egia So many people attached to the glass So many mouths emitting smoke So many children playing in the square So many children... Preparing the game of life What they have to gain...
7.
Gauro begiak ireki Biharamuneko kezka. ***** Clocks. Open your eyes every night Tomorrow's worry.
8.
Nous avons tous des passe-temps cher, et pour certains c'est plus que ça. Du sexe à l'artisanat, la peinture ou jouer avec les sciences. À nous épanouir, à nos propres découvertes. Nous commençons à vivre et voulons continuer à le faire. Je te montrerai si tu veux. À nous épanouir à nos propres découvertes. Ne plus attendre et commencer à vivre. Si nous allons jamais détruire ce qui nous estropie, c'est parce nous aurons commencé à vivre. Celleux qui aiment la vie seront celleux qui pousseront ces salauds à la mer ! si la "corvée sans joie" est réimposée, nous ne la reproduirons pas. ***** Start Living. We all have expensive hobbies, and for some of us it's more than that. From sex to crafts, painting or playing with the sciences. Thriving from our own discoveries. We're starting to feel alive and want to keep doing so. I'll show you if you want. Thriving from our own discoveries. To no longer wait, and start living. If we're ever to destroy what maims us, it will be because we would have started to live. Those who love life will be throwing these bastards to the sea! If the joyless chore is put back into place, we will not reproduce it.
9.
(Si tout est corrompu, alors qu'est-ce qu'il nous reste ? Il nous reste les un.e.s les autre). L'espace d'un instant, notre résignation avait laissé place à de l'espoir, à l'anticipation d'une vie où de grands projets seraient possibles. Des conditions à transgresser, des êtres humain.e.s vivant.e.s et libres. Les paillettes du monde des monarques nous isolent sans nous vaincre. ***** Magarna. (If everything is corrupt, what are we left with? We're left with each others). For an instant, our resignation had given space to hope, to the anticipation of a life in which the big projects would be possible. Conditions to transgress to human beings alive and free the glitter of the monarchs' world isolate but do not defeat us.
10.
11.

about

STONE 080

Direct order: www.stonehengerecords.com/stonehenge-releases/

Recorded during the Spring of 2022 at Obras Estudio. Mixed during Summer 2022 and early 2023 by Moya Recs. (Esconder Micara tracks).

Recorded and mixed at the end of 2022 and the beginning of 2023 at our rehearsal room in Donostia by Iker Munduat (Ezinegon tracks).

Recorded in July 2021 at our rehearsal room in La Baren by Nico Aanklacht. Mixed in December 2022 at Old Tree Studio, Salon de Provence by Tom Powder (Yarostan tracks).

Recorded in 2021/2022 in Medellin, Columbia by J. Felipe Betancourt (Adelfia (Neriüm) tracks).

Mastered par Christophe Stonehenge.

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released December 10, 2023

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stonehengerecords Toulouse, France

DIY Non-Profit Record Label and Mailorder Since 1991.

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